I'm All Shook Up

Hi there! It's been awhile. What have I been up to? Well, I've been back in San Diego performing in San Diego Musical Theatre's (SDMT) production of the Elvis Presley musical All Shook Up. I play Jim Haller the leading lady's father. It's a fun role and its a great showcase for me.  I've had a blast. Yesterday was our final performance and now I'm back in Los Angeles and reality.

Fan artwork of our cast. 

But first, let me backtrack. I was approached by the artistic director about a month before the auditions to come in for the role Jim. Well, I wasn't familiar with the role so I did some online research and saw it is a nice role with a decent story so I said yes.  I went to the callbacks and knew as soon as I was reading the sides that this part was written for me. I got the part!

I went into this show thinking, "This is great. It's going to play to my comedic strengths, really allow me to be big and goofy. I can really do something with this part." And while that is true to an extent, I realized quickly that while I have a couple of really funny moments in the show, my character actually has a very sweet, touching story line.

First, let me say that I love working at SDMT. They put on superior productions. The casts are always amazing as are the staff and crew. And I did have fun backstage with this crew.  And I had fun onstage.  I got to play all the emotions from sad and lonely to head over heels in love and giddy to heartbroken and it felt great. I got laughs. I got tears. My favorite thing was when the audience would audibly say "Awwww" after I get rejected by the object of my affection.

Here's an example:

This job was a gift. I got to do everything I love on stage. Sing, dance, be goofy and get laughs and then play some nice tender, sweet moments.  It was a gift. I said that before. It bears repeating. I've been in dozens of shows over the years. I have many, many favorites among them. I have been very lucky that way.

I gave up a very nice paying job a couple years ago because I wasn't happy and I HAD to pursue acting full time. It is the one thing in my life that brings me joy. And sometimes we as actors forget that. We get bogged down in the business side of show business. The constant auditions and overwhelming rejection, the ridiculous insecurity and struggle to survive on little or no income. it sucks. It's tough. I struggle every day. There are days when I just don't know if I can keep going. This is why I do theater. It brings me joy. I can be somebody I can't be in life.

My favorite place to be in the whole world is in the wings backstage watching the show. One of my rituals is to go onstage by myself behind the closed curtain before the show starts, listening to the audience on the other side. (Oh. I also use that time to stretch because at my age, if I don't stretch before a show...well let's just say it saves me some pain later). Why did you have me on my knees so much?! God, were my legs stiff every morning!

Another joy, watching younger actors grow in the process. So proud to work alongside and watch them discover and grow as artists. This cast was amazing from top to bottom. Not a weak link in the bunch. All so very hard working and professional. 💗

So thank you to Jill, Robert (so glad we got to work together), Neil (the first person to cast and direct me at SDMT), Ron, Steve, Heather, Jessica, Max, Janet, Amy, Preston, Crystal, Jaz, Andrew, Don, Michael, Erin and Gary.

Richard

The Show Must Go On - The Actor's Nightmare

Actors...Ever have that dream where you're on stage and you don't know you're lines, you blocking or even what the show is that you're doing? Of course you have. We all have.

Well this weekend, I nearly lived it for real. That's right! I went into a new musical that I had never seen, read nor even heard about with 24 hours notice and no rehearsal. And I survived.

Friday night art 5:00 I received a message from an old colleague at Acme Comedy Theatre whose wife is in a new musical opening that evening in about 3 hours. One of the lead actors was in the emergency room and they knew nothing about his condition, ailment, when or if he would be back in the show. He had been asked to do it but he's not a singer (although I think he could have handled this character's one song). His wife asked if he knew anyone that could sing and act and jump in on a moment's notice.  And that's how I ended up in a new musical.

I was up for the challenge. It's been a while since I've done something like this, gone on as a replacement with little to non rehearsal. And I felt my mind needed it to prove that my mind was still agile enough at my age,

I was told that the show's composer was prepared to go on in the role that evening. I could simply come and watch the show and then jump in to Saturday night's show. I arrived at the theater an hour and a half later. It was very deja vu for me. I did two shows at the at theater 14 and 15 years ago and had only been back on a couple of occasions since both over a decade ago. So weird to be there again after all these years and to walk in the theater and see a signed poster if one of those shows with my autograph hanging on the wall house right. My very first show in Los Angeles was in that space.

So, I arrived and watched as they ran the composer through what would be my scenes. I was handed a copy of the stage manager's script and went in search of a FedEx Office to make a copy. As I went through the script I noticed that my character was named Cindy, not Sidney as was I had been told. I was confused. Turns out this was an older version of the script before my character's gender was changed. (Not the only one either, a formerly male character had been changed to a female so it evened out in the end).  Why the stage manager had an old version of the script was beyond me, but who am I to question.

So I went up to the booth to watch the show. I still knew nothing about this show called Mary of the Avenue. When Sidney came on stage I turned on the recorder on my phone so I could have a recording of the song I had to learn. I watched the show, and after made arrangements with my scene partners to meet at 5 on Saturday before the show.

I went out with friends and stayed out way too late (that's a story for another time). Cancelled my work hours on Saturday and stayed in so I could focus on my lines. Now the good news is that I play a reporter so I could use a clipboard in certain scenes when I was on the scene reporting to my TV audience. That way I was able to put the pages of the script for that scene on the clipboard and use it as a crutch when I was on stage.  I showed up at 5 and we ran my scenes a few times and then I went to the booth to learn my song. I definitely needed to have my script in my hand for that!

I did the show. The announcement that I was going on as a replacement was not made until intermission. The producer thought that if he made the announcement prior to the start of the show that the audience would be conscious of me looking down at my script periodically, but if he said nothing they wouldn't be as aware of it and it would be even more impressive when they found out that I was a last minute sub with no rehearsal time nor no knowledge of the show whatsoever until approximately 24 hours before going on. It worked! They totally fell for it.

Although I was never told about the curtain call. Well, no worries, I thought. I'll just ask who I follow and where I go. Great.  No problem. Worked out fine. And then when we all took our group bow...the music started playing and the cast started singing one of the songs from the show...and not my song! What?! After all that? I get through the show without incident and then that gets thrown at me. What is this song. Do I stand here like an idiot and just grin at the audience? Do I move my lips and make it look like a bad ventriloquist act or bad dubbing on a foreign film? No! I'm going to try and sing a long. A song I don't know. A song I've only heard once. And so I opened my mouth and sang. I followed along. The melody was pretty easy to pick up and as for the words I just a split millisecond behind the cast. Seriously. I was basically echoing them but only barely.

When I walked off stage, I went into the dressing room and said I wish someone had told me that I had to sing in the bows! The composer /producer came backstage and apologized for thinking to tell me and teach me the song. But then also noted how I just dove in and sang along and he couldn't believe how I appeared to know the song, Only his trained eye could tell that I was actually about a split second behind the cast.

So I did it. I went on again today and it was better. Next weekend I'll be onstage without a crutch, totally off book. But for now...Phew! I've still got it!

When to join SAG. That is the question.

So its been a month.
A month since I closed The Full Monty. A month since I shot my commercial (which is now airing thank you very much) and a month since I've had a single audition. Yup. A whole month of nothing. A big fat nothing.

After busting my ass with auditions for the fits six weeks of 2018, I have had nothing at all. But that's the nature of the business. Its either feast or famine. Always has been. I've been through this before. But still, it always makes me think..."What am I doing wrong?" or better still, "What can I be doing differently?"

I hate these slow periods. What do I do to keep myself going creatively? Well, I can write. Which is kind of the point of these blogs...to keep my creative juices flowing. I can vocalize and sing. I'm thinking about putting together another cabaret act. Its been about five years since my last one. I haven't vocalized regularly in a long time.  All my voice lessons are on cassette tapes and my last cassette player died a couple years ago. So I recently purchased a tape to digital converter off of Amazon and voila! I know have my voice lessons on my computer. No more excuses.

On to the title of this blog, SAG.  Why is that there? Well, because I am not a SAG member. Nor have I ever been. I am SAG eligible and have been for about a dozen  years since I was Taft Hartleyed on a commercial. But I have never booked another SAG job since. Now eligible means that I can join at any time. I don't have to yet but I can.  It also means that I can audition for SAG jobs. Which is why agents tend to say wait until you have to join before joining it's the best of both worlds they can submit you for both union and non-union work. And also because I make money doing non-union commercials, it makes sense to stay non-union.

And then, more and more work is going non-union. So more and more SAG actors are going financial core, which means they can work non-union jobs. This means they are fee paying non-members. You're still a SAG member but you lose your voting rights and the right to participate in SAG events, seminars, etc.

But I have also been in this business for a couple of decades and I am a man of, shall we say,  a certain age. Managers say why is someone this age still non-union?

I ask myself, is it keeping me from getting further in my career. Am I not getting auditions for TV shows and union commercials because it doesn't say SAG on my resume? Well, not really because I DO get those auditions, just not often. This last year, I had 7 episodic TV auditions, and the last few went very well. I booked the room as they say. One office called me back a second time and all the casting people in the room laughed at my one line. So I know I booked the room if not the job.

Also, it costs $3,300 just to join the union. That's just to join. Then there's annual dues on top of that. Who has $3,300 lying around? Not me.  So, if I join will I get those auditions I so desperately want? Or will I see even less activity because so many commercials now use non-union talent?

That is the dilemma and why agents want me to stay non-union. But I can't help wondering if I might get to the next level if I go SAG.

What do you think? Post your comments in the comments section of this blog. I'd love to know what you think.

A Look Back at 2017

On New Years, people make lists. They look back at the last year and list their top 10s or just reflect on the highs and lows of the past year and make resolutions or perhaps set goals for the next year.

I am not one for making New Years' resolutions.  Why use the first of a new year as a reason to make changes or improvement in my life?  It should be ongoing.  Right? However, the end of the year can't help but make you reflect on the past year. And so much has changed in my life this past year, I do want to take stock of where I was and where I am.

I spent all of 2017 working in the theater. And I got to play a variety of roles in various genres. I started the year playing (don't laugh!) Cornelius Hackl in Hello Dolly. The reason you may be hearing about for the first time here is because it was for a one-weekend only church benefit cast mostly with church regulars and I was one of the pros brought into the production.  You may scoff at me playing Cornelius at my age but based on the age of the other actors, it worked and I got to check off a dream role from my bucket list. Cornelius is the heart and sole of this show and I got sing a beautiful, ballad, dance and show off my comedy skills.

I went straight from Hello Dolly to 42nd Street at the Candlelight Pavilion Dinner Theatre in Claremont.  I had a great time working there and may some new friendships that have lasted beyond the run of that show. I played Pat Denning and while not a huge role and once again I was back in a musical in an almost non-singing role, Pat Denning sings about 16 bars of one song. But he does play a pivotal part in the plot as Dorothy Brock's love.  I played opposite the wonderful Sarah Meals as Dorothy and I know I'll be back to Candlelight in the future.

While performing in 42nd Street, I began rehearsals for Hello Again, the musical which I directed at Chromolume Theatre in the spring. It was a big challenge. Not only is it rarely produced but it is the compete opposite of a Broadway blockbuster like the previous two shows.  And as is typical of me, I had some pretty serious doubts that I could pull it off. But I did.

While in rehearsals for Hello Again, I heard from two other theaters in town asking if I would be interested in auditioning for their upcoming shows. Crown City Theatre in North Hollywood was producing an original play written by one of their Co-Artistic Directors. Somewhere in the Middle was a comedy-drama about a Jewish-Catholic family whose college-age daughter brings home a black, Palestinian, Muslim fiancé to meet the family on Passover. Think Norman Lear 1970s sitcom. I played the father and I loved being able to play a straight role as the patriarch of a family.  We got great reviews and extended for a couple weekends.

And finally, I was asked to audition for the part of the Old Man in a stage adaptation of A Christmas Story, not the musical recently seen on FOX, but a straight play based on Jean Shepherd's stories. We opened in mid-November and closed on New Years Eve. The show was amazing. We sold out almost the entire run. The set, props and costumes were all top notch and the reviews were all raves. And best of all I had a role that was a real showcase for my talents. It was probably the most physically demanding role I have ever had. I was constantly out of breath backstage early in the run but as the run progressed, I noticed I wasn't as out of breath. And I lost some weight. Like seriously, my pants are hanging off of me.

And next, to start 2018, I return to one of my favorite roles of all time, Harold in The Full Monty, opening January 26 at San Diego Music Theatre and running through February 25. I start rehearsals tomorrow. Its a great to start the new year.

As I look back at last year, one word comes to mind...GRATEFUL. Look at the parts I played this year. All very different. Big budget musicals, small family dramas and comedies. I got to stretch my acting muscles and play so many different roles.

But the biggest step I took this year was quitting my job of 11 years so I could focus on my acting. Scary. Risky. Some might say Bold, maybe even crazy. Time will tell. I am scared but I also know that if I want to make a living as an actor, I need to focus on that and nothing else.

My goal this year is to book some co-stars on TV. I'm already off to a decent start with some auditions in the last couple of months. Based on the words listed at the top of this blog, what shows would you cast me in? Let me know in the comments section of this blog.

Thanks and HAPPY NEW YEAR!

Show Opening and New Works

For the past two months I have been rehearsing a new play. An original piece called Somewhere in the Middle or Guess Who's Coming to Passover?  Tonight we have our first preview performance at Crown City Theatre in North Hollywood. Official opening is next Saturday September 2.  For more info, click here:

Crown City Theatre


Its been a challenging experience for me, having the opportunity to create a role in an original piece. Typically, I am in a well known play or musical that most everyone is familiar with.  In the last two years I've been in productions of Hello Dolly, 42nd Street, How to Succeed, Putnam County Spelling Bee and The Odd Couple. You get the picture.

Not only am I working on a new piece, but the director is also the playwright so its especially daunting knowing that you are bringing his vision, his creation to life. Unlike an already published or well known piece, and depending on the author/director, you have some input on the development of the character.  Its been a very nice experience. If any lines don't make sense coming out of my mouth, I can bring it up. If I have trouble with a line it will get cut or re-written as we fine tune the piece.

It's also a small ensemble piece, meaning there are only 6 in the cast and there are no lead roles. We are all equal. Its the story of a family: mother, father (me), college age daughter, teenage son and grandmother (my mother) and the daughter's new boyfriend who she brings home to meet the family. They are a white, Jewish-Christian family. The bf is Black, Muslim and Palestinian. Wacky chaos ensues.  Just kidding. Chaos does ensue as the various family members argue the various sides of several issues including race, religion and the middle east. But its not wacky.  Its thoughtful and intelligent with a great deal of humor thrown in. If you're in LA over the next 6 weeks, come see us. Tickets are only $20.

In other news, I've done some writing and I have ideas for sketches and short films I want to film. I have also thought about doing a vlog on youtube. But I'm having trouble deciding what it should be about. I have followed several on youtube. They always seem to be made by young people under 35. And their vlogs are not about anything in particular. They just show their lives. Every day they release a new video to youtube or maybe once a week.  Its just their day. Nothing special. But hey are always well put together, nice editing, photography, music etc. But, again, nothing special. Just their lives.

And they get thousands of hits per video. Thousands! They get sponsors and merchandise. Just from posting videos of their days. Why is that? What makes them go viral? And why don't I see any made by people of my generation? Is there a market or need for that? Is this a generational thing just for the young whippersnappers out there?

If I were to do a vlog, what would you want to see on there? Something geared towards my generation? Something like education on how to use youtube? or the many apps and new technology that are out there? Advice? Ask Richard?

Write in and tell me what you would like to see on my vlogs. Seriously, write me and let me know what you'd like to see.  And check out my updated website when you get chance:

RichardVanSlyke.com

It's been three weeks! What am I doing with my life?

In my last blog, I shared that I had left my job of 11 years.  My last day on the job was June 30.  Today marks three full weeks since leaving the job. What have I been doing with myself since then?
Not a damn thing. Well, that's a slight exaggeration. I have been out hiking in the hills and I've taken my bike out on a couple of rides on the beach and along the LA River. And I've been going to the gym.

And last week was spent in my hometown of Albany, NY visiting family, which means I went to Saratoga Race Track and Lake George.

Saratoga Race Track Opening Day

I have managed to roll over my retirement plan to an IRA and I have elected options for dental and eye care plans. But I still have not figured out the health care.  I did manage to go online to the Obamacare site and to the CA State site and look around at all the options. Its overwhelming! And as soon as I put in my personal information, my phone starts ringing off the hook with calls from sales reps trying to sell me insurance plans.  Within 5 minutes of putting in my info, the phone rang. And while I was on that call, the phone was ringing with another. I told the guy I wanted to research on the Internet and decide what I wanted. I hung up. Within the next 40 minutes, the phone rang several times. I continued getting calls every day through this past Friday. Today is the first weekday that it hasn't rung. Phew!


In the meantime, how is the acting career going? Well, I have the play I'm rehearsing. But we're off for the month of July so I'm on my own learning lines. Although I managed to get 2 of my 5 co-stars over to run lines one night. I'm interviewing for a directing job tonight. And I met the Artistic Director of another theater 10 days ago about directing and/or acting there next season.

But other than that...cricket. cricket. Hello? McFly?  Is anybody there? This is what happens. I take time off so I can have the freedom to go to more auditions and not a single audition since I left the job. My last one was two days before I left the job.

I have no income at this point. But I do have a savings account. And there is the IRA. And I rolled over my retirement plan into an IRA to make it easier to access the funds IF NEED BE. its only for emergencies. But its there. So I'm not panicking. At the same time, I am worried. Because, well...there's no income!! And I am a worrier. This is tough.  One of the reasons I've worked full time is because I need the daily structure in my life. Being freelance feels weird. Like I'm skipping school! "What's he doing home in the middle of the day?" "Why does that man have to time to be hiking during a work day?" Those are the voices in my head talking to me.

I've got a couple jobs I've applied for online. And I'll be spending the next couple weeks applying for more. Ideally looking for a couple of part time jobs to give me enough to live off of.  Till then, I'm writing and learning lines. And submitting myself for everything that sounds remotely possible for me.

The Next Chapter

I've been keeping this one to myself...mostly.  As of two days ago, it became official. I am no longer employed full-time. Now this news is likely to concern some people. But the simple truth of the matter is I was miserable. Absolutely, 100%, out of my mind, trapped like a rat in a maze I couldn't get out of and afraid if I didn't do something soon I would crack and lose it miserable. There were some very, VERY low times in the last few years. I had to get out of there.  And after years of contemplating, debating, discussing, threatening, ruminating, I finally took the step and gave my notice about two and half months ago.

Friday, I left my job of nearly 11 years. That's the longest I've worked anywhere and its been great for me financially. I've put some money away. I've got a nice retirement plan/401(k). I have a nice car. I live in a nice place and typically don't have to worry about my expenses. For all of that, I am extremely grateful. But my mental state was not good.

I moved here from NYC to further pursue my acting career on TV and in film. And when I came here I told myself, if I didn't succeed as an actor then come hell or high water I would work in the entertainment industry no matter what. So, how did I end up working in Legal Compliance for a large finance firm in downtown LA? First off, I wasn't aware that anyone moved to LA for anything other than TV or film. I mean why move here. That's all that's here, right?

So I came. I started temping almost immediately and was placed at one of the big studios. I got an agent. I went out on commercial auditions. I did theater. I did some really (And I mean REALLY) low budget movies. I temped at that studio for well over two years. And then it came to an end, but I was immediately called by another temp agency that saw my resume online and was placed within days of leaving my last temp assignment at the studio at a finance firm in Pasadena for two weeks. It lasted over three months. And then the day after that assignment ended, another agency called that also found my resume online. The next day I went to their office and registered and the following day interviewed at the finance firm downtown and two days later started as a temp. And here I am 11 years and three promotions later....burnt out.

You see at the same time, I was working in the theater...almost constantly. In two or three shows a year.  And also going out on commercial and TV auditions. In recent years, its been tough to juggle. I'll go out on an audition during the work day and usually I'm back within an hour and a half. But every once in a while, I'm gone two hours, two and half hours. And every once in a while, my boss would notice and call me in wanting to know where I was. Stress. Anxiety. Anyone who knows me knows I can't handle a) stress, b) people not liking me and c) not being a perfect worker/employee/son/student/brother etc. I have to be perfect always, the good boy, the one who follows the rules and never does anything wrong. I cannot make mistakes, ever! It's a lot of pressure.

So take all this into an audition and well, you get the picture.  As I sit there in the waiting room, I'm checking the clock. Why is this taking so long? NO! Don't take a bathroom break. I have to get back to work! What if I get stuck in bad traffic? How will I explain myself?

I don't need that energy at an audition. Now, I'll be honest, once I'm in the audition room, I leave all that outside.  But as soon as I am out that door, I am OUT that door.  The stress of trying to juggle the full-time job and the auditions was too much. Now, I may go weeks without an issue but then I'll go through a stretch where I may have a couple of weeks with multiple auditions and me coming and going from work. Not so great. And lastly, I'm not 22 anymore! I'm exhausted all the time.

I need some rest. I need to relax and I need to give myself some time to prepare for each audition.
I'm not independently wealthy and I will need to find another way to support myself. But at this point, I'm looking for something part-time so I can have some flexibility.  I don't know what it will be just yet. I may open a store, or a franchise, or maybe work as a professional organizer. I'd like to teach acting to kids. Or maybe I'll just work as a barista at Starbucks. Who knows?

So if any of you know of a job or want to hire someone for some work around the house, let me know. I'm available.

Post thoughts on Hello Again (the show I directed)

I directed a production of the musical Hello Again by Michael John LaChiusa that closed this past weekend, after a four week run.

The cast and crew of Hello Again at Chromolume Theatre

Now that a couple of days have gone by, I have time to reflect on the experience. For those of you who don't know unlike TV or film, once a show opens, a director's job is done. Typically. He or she might be called in to put in a new actor or actress after the show has been running for a while. But usually, the show is turned over to the stage manager once the show has opened. It is the stage manager's job to maintain the integrity of the director's vision from that point on. The stage manager will give notes if an actor has changed their blocking or the intent of a line or scene, etc.

So the last four weeks have been rather uneventful and not so stressful for me because, basically, my job was done. But this theater's policy is to guarantee all of its understudies two performances which meant we had to rehearse and put in all of them. But other than that, I had little to do.

The four weeks of rehearsal leading up to opening night was very stressful though.

Me "Directing"

We had an amazing turn out for auditions back in March. The talent was outstanding and it was very difficult to cast this show because there were so many great performers there. But we came up with our ten actors and five understudies. Rehearsals went smoothly for the most part.  We had difficulty sometimes with scheduling as the theater rents out its studios and stage to paying customers. Makes sense. So we might sometimes have to relocate to a different space from where we were originally schedule to rehearse. 

The music for this show is very difficult. It styles span all 10 decades of the 20th century and the composers music is often dissonant which can make it hard for performers to learn. And its not an easy piece to play either. In addition, we performed on a very low budget. We could only afford one musician, the piano player also our Music Director. I have to give a major shout out to here to Brenda Varda my partner in all of this. She was in fact a last minute replacement for someone else.  And we really lucked out. She worked so hard. I literally could not have done it without her. She blew me away.  She played that score solo every single night. And she worked with the actors and whipped them into shape. There are some difficult harmonies. And there were a couple of harmonies that were not coming together. Two nights before we opened, there were still some harmony issues with a couple moments in the show. And I told her, if the actors involved cannot fix it by final dress, then those harmonies will need to be cut. They came together and never faltered from that day on. I love this woman!

I stress over everything. I stressed that I wouldn't have a music director. I stressed that I wasn't casting any friends that auditioned and they would hold a grudge. I stressed that the actors who were cast would quit out of frustration since this was such a low budget show and they might not like the circumstances. I stressed that there was no way we could afford to costume the show. I stressed that understudies might feel short changed. I stressed that one or more of the actors might refuse to let their understudy go on. I stressed the set wouldn't look good. I stressed we would run out of money and have no sets or no costumes. I stressed that I didn't have what it takes to direct this piece.

I was really scared I was over my head. And then I remembered something. I felt exactly this way the last time I directed. And the time before that. And the time before that. In fact every time I've directed, I have felt that way. Exactly that way. And the shows always turned out great.

And you know what else was pointed out to me? Most those things I was stressing about are out of my control. That's right. I can control what's on the stage. The look, the performances, the staging. 

But that's it. All I can do is make sure my cast is well rehearsed and that they are comfortable doing what I have asked of them and doing what they bring to their roles. I provide a place for them to experiment and play and develop their performances. Its a collaboration between us. We work together to find their performances.

My cast was excellent through and through. They all brought their unique talents to their roles. The show looked good. It was very low budget. The set was minimal but it worked for us. The cast looked and sounded great. Again, thank you Brenda! The costumes were wonderful. They helped us in setting the time and place for each scene. We didn't need the sets to do that.  We got three excellent reviews. This is an unusual piece and not for everyone so that's something.

Now that its over I breathe a sigh of relief and I move on to the next project. Well two projects actually, both as actor. I'm currently rehearsing Chaturbate the Musical for the Hollywood Fringe Festival as part of the NMI programs.  The week before that opens I start rehearsals for an original play called Somewhere in the Middle at Crown City Theatre in North Hollywood, opening September 1.

So when is my next directing project? I don't know yet. Chromolume has asked me about a show for 2019.  For now, I'm happy to act and write my next project. Another web series maybe? Or some shorts for youtube? We'll see.

The Career that Giveth and Taketh Away - Acting: It's not for the faint of heart

So far 2017, has been a mixed bag. I was excited coming into 2017 having booked roles in two films. A small but fun a part in a low budget parody film and a significant role in a USC film school student film.

I was especially looking forward to the student film because it would give me an opportunity to play against type. I typically play ineffective middle management or authority figures or goofy dads/neighbors, etc.  In this, I was to play a sympathetic single dad to a gay teen son who is being bullied into a sexual relationship with another teen who threatens to out him. I was really looking forward to it. A week before Christmas, I was sent the shoot dates and I told them I was fine but I had a day job and would not be available during the week. A couple weeks later, I received emails confirming the shoot dates and times, transportation information and costume measurements.  I made arrangements to take a day off for one day of filming. I worked on my lines.

And then the day before I was due to shoot, I received an email telling me that due to my last minute notification to them of my limited schedule, they could not use me. What?! Exactly, what was last minute? I told them as soon as they notified me of the shoot dates. They never said word one that there was a problem. They sent me a shoot schedule for Friday Saturday and Sunday. I took Friday off form work.  They were in constant contact with me, adding me to the contact list, asking about dietary restrictions, talking with the wardrobe supervisor about wardrobe. No clue.

I wasn't sure how to react. I mean I was really looking forward to this. It was a great opportunity for me to show something I haven't on film yet. I sent an email asking if they had the right person. Or wondering what had happened. I was too impatient to wait for a response, so I called the student the email came from. I asked her what was going on. She said because I had conflicts they couldn't use me. ME: But you never said anything to me. I've been responding to all the emails you've sent regarding wardrobe, transportation, dietary restrictions, etc. You sent me a filming schedule on December 18 and I emailed back that I had a day job, so weekdays could be a conflict,. You then sent me a shoot schedule with shoot days of Friday Saturday and Sunday. I took Friday off from work to shoot. Not once did anyone say, three was a scheduling issue. You lead me to believe those were my shoot dates. If you had called me, I could have changed my schedule to fit your shoot schedule. And now the day before the shoot you tell me to my late notice of conflicts. What late notice? I told you three weeks ago as soon as you sent the shooting dates.  HER: Well, we really loved your audition. We thought you were great. But we can only have the location for certain days and can't change it and our lead actor is only available certain times and couldn't change his schedule. ME: But you didn't tell me any of this. You've been communicating with me as if I had the part. HER: Well, we have someone else. ME: I thanked them for their time and wished them good luck with the project.

Frustrating! Did I mention I really wanted to play that part?

Film number two was also supposed to shoot in January. So far, I've heard nothing since I accepted the part and they sent me a copy of the script. It's now February. I'm beginning to feel like that might not happen. So a few days ago I sent an email asking if there were any updates on the filming.  I've gotten no response back. Its been four days.

Oh Acting Career, you giveth and you taketh away.

These are the joys of being an actor.  You feel good one day and then down the next,. You're only as good as your most recent work. And your self-esteem is so low that if you're not working, you feel pretty low. It's been a slow commercial audition period for me as well. So of course, my esteem is low presently.

Now on to the positive!

Tonight, I am opening a show on stage that I am very excited to be a part of. And it's going to be a really good one! 42nd Street at the Candlelight Pavilion Dinner Theatre in Claremont, CA. If you're in the neighborhood, come and see those dancing feet. It's going to be so good.