Wednesday, January 8, 2020

Amish Acres Memories - My Past is Vanishing

The decade started and ended with the closings theaters I worked at. January 2010 saw the closing of The Carousel Dinner Theatre in Akron, Ohio and January 2020 saw the closing of Amish Acres. As I get older the places I worked close (The Sears, Kmart, and Gap stores I worked at are gone. Filene's and Carl's went out of business. Moody's Investors Service and the NFL in NYC have moved to new locations) The people I worked for pass away or retire. Pretty soon I'll have no history! I'm old!!!

Amish Acres. Some interesting stories.
1) I wasn't planning to audition for them. I went to an audition for Seymour in Little Shop for a dinner theatre in New Jersey at the Musical Theatre Works studios on Lafayette in the Village right across from the Public Theatre. They had three floors of studios. I ran into an acquaintance (I don't remember his name other than he was the boyfriend of Gabrielle Mason and I sublet their apartment on West 95th Street for a couple of months). He was also auditioning for Little Shop and told me that one floor up they were having auditions for the season at a place called Amish Acres.
So I went upstairs and signed up, looked at their brochures, (looked like a nice place), sang for them and got a callback for later that afternoon. I called in to my job at Moody's Investors Service and told them I would not be coming that day.
I went back later that afternoon and was given sides to read for the part of Dan King in Plain and Fancy. Jerry O'Boyle the artistic director said he was looking for a Dick Van Dyke type of vibe for the scene. And then he said something like, "Richard Van Slyke, Dick Van Dyke. I just got that!"  I was told they would be making calls in a couple of weeks. A month went by nothing happened. I had written it off.

2) I thought my casting might be an April Fools joke. Monday April 1, I'm sitting at my desk at Moody's Investor's Service and I get a call from my answering service (or it may have been voicemail by then. This was 1996). An actor had quit and they needed a replacement for the role of Dan King. It would mean flying out to South Bend on Sunday and starting rehearsals on Monday the 8th.

I would be playing Dan King in Plain and Fancy, Ike Skidmore in Oklahoma!, The Rabbi's son in Fiddler, the brothers parts in Joseph would be decided at a later date, and I wasn't sure I wanted to stay beyond October to do Annie, but he was thinking maybe Daddy Warbucks.




I packed up over the next few days. Sunday the 7 was also Easter and the start of Daylight Savings and there was a one hour time difference from NY. All those combined, lets just say I got about two hours of sleep. And with no one to sublet my apartment, I was scared I wouldn't be able to get by financially. But off I went.

I flew to South Bend where I was picked up buy the company manager, Sara Heigaard, who also played my leading lady Ruth in Plain and Fancy. Then, we had a 45 minute drive to Nappanee where I would be spending the next six possibly 9 months.

Amish Acres sits about 1 mile west of Nappanee, a small town population @6600. One grocery store, one co-op, one movie theatre with one screen that only showed movies on Friday and Saturday nights. Restaurants included, McDonalds, Burger King, Subway, Dairy Queen, Taco Bell and Pizza Hut. There was also a Chinese buffet place, a pizza place (that closed and re-opened as something else), a country kitchen, a sports pub, a bakery café only open days, a tavern. Then there was the Restaurant Barn on the property where we got one meal a day in the kitchen if we chose.

There wasn't much to do there and for an actor flown in from NYC with no car, not fun. There were three of us hired from NYC, Gene Westbrook, Cece Pleasants and myself. Most everyone else in the cast house came from Chicago, AJ Wester, Derek Phipps, Cindy Lawrence, Joe Lehman, Robert Geils. Sara was from North Dakota.  Nine of us living in an old farm house on the Amish Acres property. And two local hires who commuted daily, Jenny Yoder and Doug Yockey. The Chicago People all came with their own cars so we had rides when we needed and if we were lucky maybe they'd loan a car to you. I often did so I could drive to Elkhart or Goshen to go to the YMCA to workout. I got a flat once driving Sari Engle's car!



There was an old bike in the pantry that I would take on Monday mornings and ride one mile to the cneter of town where two state routes crossed. There was a very nice town library where I could get Sunday's New York Times and go throught the Arts and Leisure section. I would also take pout books. I was into Armistead Maupin's Tales from the City at the time.

I was FedExed the script and score in advance of my trip and I tried my damnedest to be off book as much as possible for the first day of rehearsal. I was saved because my character was only in a couple of musical numbers. So I wasn't used for many rehearsals upfront. Which gave me time to work on my lines at home while the rest of the cast was in rehearsal. It helped! I only used my script to record my blocking and then tossed it off stage to run scenes. We only had a little over a week to put the show up. I remember going shopping in Mishawaka with Jerry to buy my suit at Value City.

Our first day off on Friday, we all drove up to Mishawaka to go out to eat and see a movie. I rode with our musical director SD Lewis who was married to our choreographer Kent Lewis at the time, They had a soon to be 3 year old daughter. Yeah, she is now 27. I'm old!

I remember discussing Annie with SD in the car.  She and Jerry had talked about me maybe playing Daddy Warbucks. I told her I was more interested in Rooster. She agreed stating that now that they had worked with me for a few days, they could see that was a better fit.

It was a fun time. Eating in the Restaurant Barn kitchen where our choices were fried chicken, turkey or ham. The store at the front of the barn sold free baked breads, cookies, pies, cheese. I would do my "grocery shopping" there and buy cookies and bread every week. That didn't last long!



Opening night of Oklahoma!, we raided the ice cream and fudge shoppe for a party back at the cast house. Here is a picture from that night with me showing off some of the cheese we scored!


Jenny Yoder hosted a Mary Kay cosmetics part at the cast house one night (see below)


And there was my 35th Birthday party (below)


My parent sent a gift basket. More cheese!



A mostly quiet group of people. We didn't go out after shows.  We would go home and watch TV and then got to bed each night. That changed as new cast members came on board and the housemates changed.

In July, we lost Joe to a Shakespeare play in Chicago and Jenny to CCM where she was entering her sophomore year.  In came my friend CoriLynn Peterson from NYC and another actor named Ryan who came from a summer stock playhouse a few miles away that went under that season. Also, Sari Engle was brought in to direct Joseph. CoriLynn and Ryan moved into the Christmas Shop on the corner across from the entrance to Amish Acres. They let them live on the second floor while the shop was downstairs.  Sara and Robert also moved across the street and Sari moved into the house with us.

Sari was very close to Jerry, Robert and Gene and we started socializing more, often going out to the local dive bar in town, where I swear to God some nights we were the only ones in there with full sets of teeth. That was the first time I had real beef jerky out of a jar on the counter.

The season was so successful that the sales department wanted another rep show for October after Joseph closed. The staff put their heads together and came up with a show that could be done with just the core company, Godspell which Sari also directed. Rich Snyder was brought into take over the role of Peter in Plain and Fancy when Ryan went back to school and to play Jesus in Godspell. I played John/Judas. It was really lovely production all tied into the site's fall harvest.



After Godspell, AJ and Cece left and a whole new crew came in to do Annie and the house became much livelier with Joby Raines, Kacy Levy, Darren Murrell and my friend Jason Mosher.  With only one show to perform and none to rehearse, we went out more often. And this crowd was also more of late night group. Remember the late nights playing video games? Was it Nintendo? I don't know!

Closing night party of Plain and Fancy when we all took turns shaving Gene's head for his upcoming role of Daddy Warbucks in Annie with the razor we all chipped in to get him for his birthday.  Poor Gene. He thought it would be fun but it really got to him. He has a beautiful full head of hair. It was hard. Fortunately, it all grew back.

I played FDR. Jerry gave me a CD of FDR radio speeches to listen to, specifically the "We have nothing to fear but fear itself" speech, which was the very first line I spoke in the show. Darrin as Harold Ickes was responsible for pushing me around in the wheelchair. I remember getting a blocking note at one rehearsal and saying to Sari, "Why are you giving me the note? I just sit here. Give it to Darrin. He's the one who moves me. " LOL

And that poor dog we recruited to be Sandy. Not a stage trained dog. LOL It was the groudnskeeper's dog. He was a sweet dog. I was the official handler and basically I had to tell the entire cast to stay out of the wings when the dog was on stage otherwise, he would go towards them no matter how many Annie had in her cardigan pockets.

Oh my God! and there there was the night one of the orphans asked if I wanted my neck adjusted. And before I could say a word, she took my head and jerked it and snapped my neck. Yeah. That happened.

The day after we closed Annie, Gene and I packed up CoriLynn's car and drove back to NYC, (CoriLynn rode back with Jason).  It was a 13 hour drive. We got into NYC about midnight the night before New Years Eve. Long drive.


Wednesday, January 1, 2020

Amish Acres - A Tribute

You're asking yourself what is Amish Acres and why is Richard talking about it? Well...

In 1996, I spent nine months working in the Round Barn Theatre there and yesterday they performed their last show there.

Amish Acres is closing after 50 years.  Amish Acres is an Amish tourist attraction in the small northern Indiana town of Nappanee. It was opened in 1968 on the site of an Amish farm by a local businessman named Richard Pletcher.   In 1987 they began presenting the Broadway musical Plain and Fancy with 6 or 7 actors in the former town meeting hall on the premises.

And in 1992 they had a round barn from a nearby farm dismantled and reconstructed on their property and attached a stage and backstage area as well as a balcony. It was a very nice space. Very rustic with handmade Amish quilts hanging on the walls and from the balcony.  A grand piano was on house left at the foot of the stage and the entire score was played by the musical director.  They employed 11 actors.



View of theater from the stage


In 1996, they added a full season of shows. This was the year I arrived. Plain and Fancy was performed five shows a week with the current rep show four times a week. The shows were Oklahoma, Fiddler on the Roof, Joseph and the Amazing Technicolor Dreamcoat. With Annie playing solo the months of November and December. The year went something like this. Arrive in Nappanee on Sunday April 7, start rehearsals for Plain and Fancy Monday April 8. Show opens two weeks later with core cast of 11. Beginning of May start rehearsals for Oklahoma! during the day while performing Plain and Fancy at night expect for matinee days. Oklahoma! opened around Labor Day Weekend and ran four weeks. We did nine shows a week, ie. five Plain and Fancy, four Oklahoma! with two show days on Wednesdays, Thursday and Saturdays

We had to change over the sets in between shows and we rehearsed the next rep show while we were performing the current one. So in June while performing Oklahoma and Plain and Fancy we were rehearsing Fiddler on the Roof. Since it was summer, local high school and college student shome for the summer were hired to fill in the casts.

The shows were almost instant sell outs. We added rows of seats to the mezzanine level to accommodate the crowds. It was general admission seating. I was also the house manager. Because the season was so successful, the sale steam wanted to add a show to October. So we were approached by management about doing Godspell for October with 9 of us. It was a really special show because they tied into the fall harvest season on the farm. We set the show on lakeside cabin with tall reeds and a small dock, as well as a small working fire center stage that we gathered around to tell the parables.

We got one free meal a day in the Restaurant Barn, but we had to serve ourselves and eat at picnic tables they had set up for us in the kitchen.  Fried chicken, ham, turkey were the main courses along with smashed potatoes, cole slaw, peas with ham in them. But  the pies! Oh My God the pies! Whatever was in season, they had fresh pies. Every pie imaginable. You could get fat eating there every day.
The Greeting Barn with the Round Barn Theatre behind it



The restaurant barn also had a grill out in front in aloft that was open for lunch every day, burgers and fries and such. And the main lobby was a gift shop that also sold fresh baked goods, breads, cookies, etc.

I needed money to help pay for my rent in NYC because I didn't have a sublet throughout my entire time there. So I worked night audits on the weekends at the adjoining hotels owned by Amish Acres and in the Christmas season, I worked at their Christmas Village in the site of the Pletcher family's former furniture store to make a little extra cash.

The Inn at Amish Acres


Amish Acres also had an annual Arts and Craft festival that was among the top 100 in the country an people came from all over the country. Their were license plates in the parking lot from all 48 continental states. It was something to see.

We stayed in a cast house on the property. There was a pond right outside my bedroom and during the festival there were swan boat rides and port-a-potties were lined up outside our house. They put up signs on house saying not to disturb the tenants asking for bathrooms.



I loved my nine months there. I was hopeful that someday I might return.  It was a special place. I'm sorry that is closing.  Thank you Dick Pletcher and Jerry O'Boyle for giving me one of the best  early professional experiences of my career.


I hope someone will want to buy it and keep it open. Any takers?

Monday, September 2, 2019

I'm All Shook Up

Hi there! It's been awhile. What have I been up to? Well, I've been back in San Diego performing in San Diego Musical Theatre's (SDMT) production of the Elvis Presley musical All Shook Up. I play Jim Haller the leading lady's father. It's a fun role and its a great showcase for me.  I've had a blast. Yesterday was our final performance and now I'm back in Los Angeles and reality.

Fan artwork of our cast. 

But first, let me backtrack. I was approached by the artistic director about a month before the auditions to come in for the role Jim. Well, I wasn't familiar with the role so I did some online research and saw it is a nice role with a decent story so I said yes.  I went to the callbacks and knew as soon as I was reading the sides that this part was written for me. I got the part!

I went into this show thinking, "This is great. It's going to play to my comedic strengths, really allow me to be big and goofy. I can really do something with this part." And while that is true to an extent, I realized quickly that while I have a couple of really funny moments in the show, my character actually has a very sweet, touching story line.

First, let me say that I love working at SDMT. They put on superior productions. The casts are always amazing as are the staff and crew. And I did have fun backstage with this crew.  And I had fun onstage.  I got to play all the emotions from sad and lonely to head over heels in love and giddy to heartbroken and it felt great. I got laughs. I got tears. My favorite thing was when the audience would audibly say "Awwww" after I get rejected by the object of my affection.

Here's an example:



This job was a gift. I got to do everything I love on stage. Sing, dance, be goofy and get laughs and then play some nice tender, sweet moments.  It was a gift. I said that before. It bears repeating. I've been in dozens of shows over the years. I have many, many favorites among them. I have been very lucky that way.

I gave up a very nice paying job a couple years ago because I wasn't happy and I HAD to pursue acting full time. It is the one thing in my life that brings me joy. And sometimes we as actors forget that. We get bogged down in the business side of show business. The constant auditions and overwhelming rejection, the ridiculous insecurity and struggle to survive on little or no income. it sucks. It's tough. I struggle every day. There are days when I just don't know if I can keep going. This is why I do theater. It brings me joy. I can be somebody I can't be in life.

My favorite place to be in the whole world is in the wings backstage watching the show. One of my rituals is to go onstage by myself behind the closed curtain before the show starts, listening to the audience on the other side. (Oh. I also use that time to stretch because at my age, if I don't stretch before a show...well let's just say it saves me some pain later). Why did you have me on my knees so much?! God, were my legs stiff every morning!

Another joy, watching younger actors grow in the process. So proud to work alongside and watch them discover and grow as artists. This cast was amazing from top to bottom. Not a weak link in the bunch. All so very hard working and professional. 💗

So thank you to Jill, Robert (so glad we got to work together), Neil (the first person to cast and direct me at SDMT), Ron, Steve, Heather, Jessica, Max, Janet, Amy, Preston, Crystal, Jaz, Andrew, Don, Michael, Erin and Gary.

Richard





Saturday, May 25, 2019

Live in Front of a Studio Audience

My thoughts on the All in the Family and The Jeffersons episodes that aired live this week.

We all know I am a classic TV junkie. I grew up in front of the TV. I know TV actors and their credits like sports fans memorize their favorite teams and players stats. I do that with actors' credits and their awards.

So as you can probably guess, I was excited to watch Live in Front of a Studio Audience on ABC this past week. What did I think? Loved it! I am hoping we will see more based not he ratings for this one.

I loved the audience reactions. They were loud and not sweetened like today's sitcoms. These days, the three-camera sitcoms are still shot in front of a live studio audience, but then they "fix" or "sweeten" the audience reactions in post production. So they sound muted, to me anyway. Often times, if the audience doesn't laugh where the producers want a laugh, they will add one in. In the Norman Lear days (the 1970s), the audiences were loud and boisterous, especially on his shows. They would applaud and go nuts over some of the lines.

I've read many articles and interviews where younger television viewers don't like the live studio audiences. They call it canned laughter, which it is not.  But we've got a whole generation now raised on the single camera comedies like The Office and Modern Family. They don't like the studio audience shows. To me, that's what a sitcom is!

On to the show...Loved Marissa Tomei as Edith. Loved Woody Harrelson as Archie Bunker. They were great, Trust to the characters while bringing their own spin to them. Ellie Kemper and Ike Barinholtz were good to although they didn't have as much to do. And frankly they are a little old to be playing the children of Marsisa Tomei and Woody Harrelson.  But I am quibbling here.

Tomei was a hoot as Edith. Loved her high pitched voice and the running around. Harrelson got the vernacular and dialect of Archie down just right. And not importantly, they were not imitating the threat Jean Stapleton and Carroll O'Connor.

Jamie Foxx was hilarious as George Jefferson. I loved how he had the swagger and the mannerisms of George. However, to me, he was doing an impression of Sherman Hemsley as George Jefferson as opposed to bringing his own take to the character. He was doing a sketch character. And that makes sense since he got his start on In Living Color. And I wasn't too thrilled with how he broke the fourth wall and pointed out his flubbed line instead of just repeating the line and going on as one does on stage. But that's just me.  It was funny to see Woody Harrelson break and turn his back to the audience when that happened. And Marissa Tomei just stayed in character as Edith, you could see she was stifling a laugh but staying as Edith. It does make live TV fun, but again really?

For me, the highlight of the night was the appearance of Marla Gibbs as Florence. I jumped out of my seat and cheered when they opened the door and revealed her. YESSS!!! And double bonus whammy for us classic TV fans, she was reunited with her 227 co-star Jackee!

Oh! And how fabulous was Jennifer Hudson singing The Jeffersons theme song!?

All in all I loved the night and I hope we get some more. That's TV!


Thursday, May 9, 2019

Pretty Women from Sweeney Todd





Pretty Women from Sweeney Todd sung by me in The gift of Song benefit at Repertory East Playhouse in April 2013. Part of a tribute to Sondheim evening.

Friday, March 15, 2019

I survived not one but two total wrecks in one month

You read that right. Four weeks ago, on Valentine's Day, I totaled my 2014 Honda Accord. After three weeks in a rental, I finally bought a new car on Monday, a 2015 Nissan Altima. On Tuesday, approximately 24 hours after driving the Nissan off the lot, I hit a car that pulled out in front of me and totaled the Nissan.

It's been two days. I have no car. I'm waiting to hear from the insurance company.  I don't know what is going to happen to my insurance rates. I don't know what's going to happen with the insurance. Will they pay for the second accident like they did the first?

Four weeks ago, I was on my way to San Diego. It was early afternoon and it was raining (as it did pretty much all through February). I was performing in Crazy For You at San Diego Musical Theatre. We were about three weeks into the run so I had been going back and forth between LA and SD a couple times a week. And often in the rain. I was on the 73 southbound in the farthest left lane approaching a steep downhill decline just before the Laguna Beach exit. I saw a CHP vehicle pulled over in the left shoulder and an overturned white SUV in the middle of the median. I hit my brakes to slow down and lost control of the car. I turned the steering wheel toward the median hoping I wouldn't skid or spin into traffic. I spun 180 degrees and landed in the median and then the car rolled over on its side and down the hill to the northbound side of the median. It wasn't over. I spun another 180 degrees so I was now facing south in the northbound side. Thankfully, I stopped, landing upright in a ditch.



I sat there and carefully surveyed the damage in the car and then checked to make sure that I was okay, remembering from Boy Scout First Aid that you never move a body from an accident in case something is broken or injured. I checked myself and realized I was okay so I unbuckled the seat belt and attempted to open the door. I couldn't see out the windows because all the air bags had deployed. Then I heard the CHP officer outside asking if I was okay. When I said yes, he asked if I could open the door and I couldn't so he helped me get it open and I stepped out.

I had a scratch on my left hand and my right had hurt really bad in the joint at the base of my thumb. Otherwise, I felt fine.  I waited in the CHP vehicle for a tow truck, called my insurance company. I found out that I was the third vehicle in a row to go off the road at that same point that day. I got one of  my fellow actors to meet me at the tow yard and I went to urgent care where they put my hand in a splint.  I was told I might have a fracture. The next day I saw an orthopedic surgeon who said it was arthritis. Really? Arthritis? I love getting older!



Anyway, my insurance got me a rental and eventually determined the damage would cost over $14,000. So they paid off my outstanding car loan and the remainder was sent to me in a check. This past week I went to Carmax and picked out a 2015 Nissan Altima and used the check as a down payment and financed the rest. On Monday, I picked up the car.



Approximately 24 hours later, I was making a lefthand turn onto Burbank Blvd as the light changed from green to red. About 500 feet down Burbank a woman pulled out of her parking spot as I was approaching and I hit her sending me into traffic where I rolled over turning upside down. There I was strapped in nice and tight in my seat, hanging upside down and with no view because all the airbags deployed.  Once again I did a quick inventory of my body and realized I felt fine. I let myself out of the seat belt and gently got down on the ground (or ceiling of the car) and then I heard voices outside the car door, We opened the door and about three or four people walked me to the curb, including the woman I had hit.   People brought me water and made sure I was okay. One man asked me questions to make sure I was okay. You know like, what's your name, where do you live, what's today's date who's the president.



Reports were filed. Witnesses were interviewed. My car was towed. And now I wait. I'm pretty sure I was not at fault. The main police officer did tell me that mine and everyone else's stories seem to corroborate. So I think I am not at fault. But my main concern is what will this do to my insurance? Will they pay for the whole thing like the last time? Or now that I've totaled two cars in one month, will they not cover me?

Making matters worse, I don't have a full time job anymore. I have a couple of different part time jobs and they both depend on me having reliable transportation. Not to mention that I'm also an actor who has to get to auditions on a regular basis. So I need a car for that. What will this do to me financially?

So I wait. Its also hard when you live alone. I have no one here with me. No  one to distract me. I'm on my own.  I want to send big "Thank Yous" to my friends Tom and JP who each seperately got me out of the house yesterday. And to Ariella for checking on me today and offering to take me anywhere I might need to go like the grocery store. And I do know that I am EXTREMELY LUCKY to be healthy and relatively unscathed from this. TWICE NOW!!! I have a guardian angel watching over me for sure!

And I'm thankful to the universe for keeping me safe. I am very, very grateful to the people who were so nice to me Tuesday at the scene of the accident. All I could think was TWICE IN ONE MONTH!!! WHY?! I just got this car yesterday! This can't be happening! What now?

But I'm here and I'm not hurt. Thank you!!


Thursday, September 20, 2018

I Used to Love the Emmys. What Happened? :(

When I was growing up, I didn't have many hobbies. I didn't play sports. I wasn't in many clubs. There was Boy Scouts and I played the cello in my school orchestra and in high school I got involved in the drama club. But otherwise I watched TV. Tons of it.

Every night of the week. My life revolved around the TV listings in the newspaper (We didn't get TV Guide growing up but I did subscribe to it as an adult).

I've discussed in some of my earlier blogs my love of television and my lifelong obsession with it. And I still love it. I love the technology. But to be truthful I miss old school network TV. For me, that is real TV. In my opinion, streaming and pay cable and all the other various outlets are not TV. I'll say that again. Streaming. Is. Not. TV.

There I said it. Call me old fashioned. Call me an old timer who can't accept change. But I believe that the only real TV is still the broadcast networks. TV is on a schedule. A show airs at a specific date and time and that is when you watch it, or record it.

Growing up we just had the Big Three networks, ABC, CBS and NBC. CBS being the king of them all! And the Emmys for me were an annual ritual where I could see all my favorite TV stars. It was fun and entertaining. There were only the 3 networks and PBS and some syndicated shows. Five nominees in each category. Sometimes less. The only awards given out were for Comedy, Drama, Movies and Mini-Series and Variety Shows. And the categories were Show, Directing, Writing and Acting. That was it.

Now there are so many awards given out they have separate ceremonies for the creative arts and technical awards and the guest stars, etc etc etc...

And there's reality show categories, competition and lifestyle and here's my biggest qualm...first they added cable TV and now streaming and as a result the networks are being shutout! And I don't know any of these actors. They're all from the UK or Australia or they're movie stars! And the ceremony is really long and really boring.

I don't care about them at all anymore. I want to root for my favorite shows but they're not even invited to the party these days. And the ratings go down every year. This year was the lowest rated Emmys ever! Granted, all broadcast TV shows go down year after year after year because of the fractured world of modern TV. None of the big events get the ratings they used to get when there were just three channels, (except the Super Bowls).  Seriously, remember when Miss America and Miss Universe were a big event? Not even on broadcast anymore. Or all the Bowl games and parades on New Years Day? Where are they now?

But also, the people watching broadcast TV don't know see any of their shows represented.

Look. I love streaming as much as the next guy. I have Netflix, Hulu and Amazon. But even I barely watch the tip of the iceberg in their original programming because there is just too much of it. If I ran the TV industry, (which let's face it you know I should!), I would have separate awards shows for streaming, cable and broadcast. The Emmys belong to the broadcast networks. How much longer do you think they will continue to broadcast the Emmys if they're not even represented at the awards show?

I want my TV back the way it was. I used to look forward to the Emmys every year.  Not anymore. Its just not TV. :(