Pretty Women from Sweeney Todd

Pretty Women from Sweeney Todd sung by me in The gift of Song benefit at Repertory East Playhouse in April 2013. Part of a tribute to Sondheim evening.

Stand Up Sondheim and Sketch. Oh My!

I don't think I've mentioned this yet, but I am an actor/writer/director. Not full of confidence in my abilities and modest to a fault. Which may be why it's taken me two weeks of blogging to come right out and tell you this.

I am telling you this to share some of my life with you.  This weekend I am going to see friends in shows. This is a frequent activity for me because here in Los Angeles, (now you know where I live! Don't come after me!) There isn't a day that goes by that I don't receive emails and facebook invites to friend's shows. When I am in a show, its obviously hard for me to go see my friends's shows unless they perform on one of my off nights. In the time I took to write this paragraph, I got two email invites, (No lie!)

I still have friends in productions of Arsenic and Old Lace, Cat on a Hot Tin Roof, an original musical at a small theater in Burbank, and a reading of a new musical at a theater in North Hollywood. All happening this weekend. And then I have others in rehearsals for shows that will be opening in a couple of weeks. And there are the theaters I have worked at in the past, whose shows I try to see as often as I can. I want to support them all. I really do. But obviously it's hard to do. When I'm not in a show it is easier, My schedule is lighter Here is a typical slow week:

Monday night, I took a dance class (see my November 7 blog). Tuesday night I took an acting class. Wednesday night I went to pick up my bike from the bike shop (I brought it in for a tune up). Thursday night I went to see a friend do stand up. Tonight, I rest. Tomorrow (Saturday night) I got to Long Beach to Sondheim on Sondheim at ICT starring a friend and then Sunday I go to a sketch show starring a group of people I  used to sketch with at Acme Comedy Theatre in Hollywood.  Oh! and did mention? I have a full time job. That's right. I work Monday through Friday from 8 am to 5 pm. Some weeks from 6:30am to 3:30 pm.

AND! I go to auditions during the day sometimes. Today for instance, I had a commercial audition. Last week, I had an audition for a new crime drama and on Friday I had a commercial audition. You may ask, "How do I do that when I have a full time job?" Well, let me tell you. It ain't easy, bucko!

You may remember in an earlier blog this week I touched on friends with significant others and children and me with none of those things. This may offer some insight: I'm pooped! I go to the auditions, but then I go back to my office in downtown Los Angeles and I go back to work (I started to type that I go back to sleep! That's how tired I am). I claim those auditions as my lunch hour. But this being Los Angeles and there being tons of traffic at any given moment in any given place without any rhyme or reason, I could be gone longer than an hour. What do I do in those instances? I work later or I come in earlier in anticipation of the audition that day. Today, I was lucky. I was only gone for 1 hour and 10 minutes. But there have been times when I've been gone for 2 to 3 hours!  My boss isn't too happy about those. But then sometimes, she doesn't even notice.

So tonight, I watch TV and veg..Oh! I almost forgot. I have a theater audition in Thousand Oaks Sunday afternoon so I will have to work on that some. In between working out at the gym and doing laundry, grocery shopping for the coming week and washing the car. And I should probably do some house cleaning too. Well, my weekend is gone. See you next week!

Damn Yankees and other classic musicals

This week I went to see Cabrillo Music Theatre's excellent production of Damn Yankees.  The next day I could not get the songs out of my head. Now, I should explain that I have been in two productions of DamnYankees so I know the songs pretty well.  So the songs were already in there (my head that is). This just brought them out.

It got me to thinking how much I love this show and many of the classic shows from Broadway's "golden age" (1943 to 1964).  Now to the part where I sound like a crotchety old man. Many younger people think these shows are old fashioned or dated. Maybe its a sign of my age but there's a reason these shows are classics. I have always considered this show among my favorites. Would Iplace in the same league as say Sweeney Todd? No way! I have categories of faves or classics. For instance this would fall under the category of fun or joyous shows a la Pajama Game, Guys & Dolls, Bye Bye Birdie. I like the big brassy funny shows, The Producers, Hairspray. Then there are the esoteric classics, pretty much anything Sondheim. Or groundbreakers like A Chorus Line (the IT show when I was in my teens) Rent, and now Hamilton.  What am I not a fan of? Pretty much anything Lloyd Webber, British mega musicals of the 1980s.  Younger folks tend to go for Spring Awakening, American Idiot, and the jukebox shows to which I go "Eh? I don't get it."

Am I old? Showing my age?  No. I love newer shows like Next to Normal, Avenue Q, Book of Mormon.  As an actor and because I am now older or an "adult", I've had a chance to re-visit some of the classic shows and let me tell you there is a reason those are classics. Last year I was in an excellent production of The Music Man. Now, some people might say it's hokey or old fashioned. But I can honestly say after working on it that I firmly believe this is one of the best musicals of all time.  That opening scene on the train? One of the best opening numbers ever written. The songs are classic and the story is great. Its a perfect show.

Back in the day, Broadway shows produced many hit songs. These songs, in turn,  became a part of our pop culture. When I was growing up, (after the classic era had pretty much come to end but still a part of our very recent past), we sang these songs in grade school music class and in chorus. All of them. From Wells Fargo Wagon to Hey Look Me Over to Oklahoma to I Won't Grow Up.  And when's the last time a song from a Broadway musical ended up on the pop charts? (Rent in 1996 maybe) And apparently Hamilton may land on the pop charts too. I'm hoping so.

My thoughts are this, the 1950s musicals were FUN! Great songs, amazing choreography by the masters, George Balanchine, Jerome Robbins, Bob Fosse, Michael Kidd, Onna White.  Maybe not the greatest books (I've always taken issue with the whole out clause, etc and Two Lost Souls limbo scene in Damn Yankees). But who cares with those songs and dances?

I suppose with the big effects musicals of the 1980s and the more recent musicals attempts to integrate more modern forms of music and dance, (which don't get me wrong, should be happening), younger generations consider the older stuff, well, old. Also the fact that these shows have been done by every high school and community theater in this country for 50 years have contributed to the belief by some that they are outdated.

But when you dissect them or see them done with a decent budget or in a first class professional production, you can see them for the true classics they are.

So forgive me if I go on about the "classics". I will take them any day. I want to leave the theater singing! I want to leave there wishing I could dance like that. I'd rather that than a helicopter or a barricade or a floating tire any day.

My point is this...you kids out there. Don't discount the classics. They're great shows.  They may be old fashioned to you but they stand up. I am all for newer styles of shows. We need them to draw in younger and more diverse audiences. It's very important. Its critical that they reflect the diversity of our country. They need to reflect the times, but there is still room for the old style Broadway belt, the 11:00 number.  And you'll forgive me for belting out the score of Gypsy over American Idiot. There's room for both on my plate.