When I was growing up, I didn't have many hobbies. I didn't play sports. I wasn't in many clubs. There was Boy Scouts and I played the cello in my school orchestra and in high school I got involved in the drama club. But otherwise I watched TV. Tons of it.
Every night of the week. My life revolved around the TV listings in the newspaper (We didn't get TV Guide growing up but I did subscribe to it as an adult).
I've discussed in some of my earlier blogs my love of television and my lifelong obsession with it. And I still love it. I love the technology. But to be truthful I miss old school network TV. For me, that is real TV. In my opinion, streaming and pay cable and all the other various outlets are not TV. I'll say that again. Streaming. Is. Not. TV.
There I said it. Call me old fashioned. Call me an old timer who can't accept change. But I believe that the only real TV is still the broadcast networks. TV is on a schedule. A show airs at a specific date and time and that is when you watch it, or record it.
Growing up we just had the Big Three networks, ABC, CBS and NBC. CBS being the king of them all! And the Emmys for me were an annual ritual where I could see all my favorite TV stars. It was fun and entertaining. There were only the 3 networks and PBS and some syndicated shows. Five nominees in each category. Sometimes less. The only awards given out were for Comedy, Drama, Movies and Mini-Series and Variety Shows. And the categories were Show, Directing, Writing and Acting. That was it.
Now there are so many awards given out they have separate ceremonies for the creative arts and technical awards and the guest stars, etc etc etc...
And there's reality show categories, competition and lifestyle and here's my biggest qualm...first they added cable TV and now streaming and as a result the networks are being shutout! And I don't know any of these actors. They're all from the UK or Australia or they're movie stars! And the ceremony is really long and really boring.
I don't care about them at all anymore. I want to root for my favorite shows but they're not even invited to the party these days. And the ratings go down every year. This year was the lowest rated Emmys ever! Granted, all broadcast TV shows go down year after year after year because of the fractured world of modern TV. None of the big events get the ratings they used to get when there were just three channels, (except the Super Bowls). Seriously, remember when Miss America and Miss Universe were a big event? Not even on broadcast anymore. Or all the Bowl games and parades on New Years Day? Where are they now?
But also, the people watching broadcast TV don't know see any of their shows represented.
Look. I love streaming as much as the next guy. I have Netflix, Hulu and Amazon. But even I barely watch the tip of the iceberg in their original programming because there is just too much of it. If I ran the TV industry, (which let's face it you know I should!), I would have separate awards shows for streaming, cable and broadcast. The Emmys belong to the broadcast networks. How much longer do you think they will continue to broadcast the Emmys if they're not even represented at the awards show?
I want my TV back the way it was. I used to look forward to the Emmys every year. Not anymore. Its just not TV. :(
Showing posts with label FOX. Show all posts
Showing posts with label FOX. Show all posts
Thursday, September 20, 2018
I Used to Love the Emmys. What Happened? :(
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Thursday, December 8, 2016
Hairspray Live!
Last night NBC aired their annual Live Broadway musical adaptation, Hairspray Live! Following The Sound of Music, Peter Pan and The Wiz. The first three shows were produced on a soundstage in New York City (well Long Island) with no audience. The leads in the first two were not great but the producers wisely surrounded them with award winning Broadway vets. Last year's The Wiz was an improvement and a lot of fun. It was nice to see a show that isn't done that often. And the casting was more inspired. They very wisely cast an unknown actress in the central role of Dorothy and surrounded her with names.
Last spring, FOX aired Grease Live! which was a broadcast from the Warner Brothers Studios in Burbank, and used many outdoor sets on the lot and had a live audience incorporated into the gym and dance sequences as well as on the streets outside. It added an energy that some felt was lacking from NBC's broadcasts. I will admit that sometimes it seemed flat when a big production number ended and there was no applause, just silence and then cut to commercial.
So taking a cue from FOX, NBC aired Hairspray from the Universals Studios in Hollywood and also used the backlot for outdoor shots. Once again, they had a big search for an unknown actress to play Tracy and surrounded her with name talent. Harvey Fierstein recreated his Tony award-winning performance as Edna. Martin Short, Kristin Chenoweth, Derek Hough, Jennifer Hudson, Ariana Grande, Andrea Martin, Sean Hayes, Rosie O'Donnell and games by the original movie Tracy, Ricki Lake and Broadway Tracy, Marissa Jaret Winokur.
Hairspray is one of my favorite musicals of the last couple of decades. I love the score. Its got a great early 1960s sound. And the show is just plain fun. I love it! I think it was an excellent choice and since its not that old show they were able to have one of its original stars re-create this role.
There were some technical issues throughout with some shaky camera work, sound going out a couple of times, and some odd camera angles, or blocked shots. There was a moment in one of the dance numbers where a couple of dancers were blocking a shot of two leads in an embrace for instance. But I think that kind of adds to the excitement of doing it live. But then again I don't think I've noticed as many technical glitches as I did in this one. Lots of shadows on performers' faces too. The jail scene between Tracy and Link as one example. A couple times, Tracy was briefly out of her light in the Corny Collins Show stuff.
And I loved the retro commercials. Those were fun. The Reddi-Whip milk man had me scratching my head. Was that a thing back then? But then I realized they were dong retro style commercials. I loved the Toyota spot best. I have to say it was jarring to see Derek Hough finish a number and then walk directly to the camera and do an Oreos commercial.
Speaking of Derek Hough, I knew he could dance, but he can sing and act too!
I think Maddie Baillio did a great job as Tracy. I loved that they had a talent search to fund an unknown and she did a great job carrying the show. She had great energy, which Tracy needs. I really liked Dove Cameron as Amber too. Garret Clayton as Link was the weak link in the main cast. He looked and moved great. He had some killer moves on the dance floor but not the strongest actor up there.
I LOVED Harvey Fierstein and Martin Short as Edna and Wilbur Turnblad. Their second-act song, You're Timeless to Me, was a high point for me. A couple of sketchy camera shots but otherwise, perfection. Two old pros showing you how its done. THAT'S Broadway to me.
Jennifer Hudson as Motormouth Maybelle? Singing I Know Where I've Been. Amazing! Brought the house down. But I felt she was a little small in stature to be Big Blonde and Beautiful. Still loved her though.
Kristin Chenoweth was great as always. And they clearly re-wrote her numbers so she could hit those high notes at the end.
Speaking of re-writes, there seemed to be some re-writes form the stage version. There was no Big Dollhouse number and Tracy was the only one to get arrested and go to jail. In the Broadway version all the women wind up in jail. But one of things I noticed with Grease Live! too was that they were doing a hybrid of the Broadway and movie versions of the show as opposed to doing a straight-up televised stage production.
The production design was amazing. Seriously, I loved the Baltimore street set with the Easter eggs in the names of the shops, Waters Plumbing, Divine Pet Food with a pink flamingo on the sign. Nice! And I totally geeked out when I realized that the two women escorting Tracy and Edna in and out of Mr. Pinky's were Marisa Jaret Winokur and Ricki Lake. But seriously, I loved the set design. So much goes into these live productions. And this one looked fantastic.
Picky stuff...in opening number, Good Morning Baltimore, it was clearly not morning but nighttime as the scene was done outdoors after sunset in LA. And since when are there mountains in Baltimore? You could clearly see the Hollywood Hills in the background. I know I'm being nitpicky but these are the kinds of things I notice. Like Billy Eichner as the news reporter with a couple of days scruff. That is a very NOW look. A TV host/emcee/reporter in 1962 would never go on the air looking like that.
Again, I'm being nitpicky. Most people wouldn't notice or care. And does it ruin the experience for me? No. It just takes men out of it when I see something that isn't period in a period piece.
I loved it overall! And I think this one is the best of the NBC shows so far. Nest year, Bye Bye Birdie with Jennifer Lopez.
Last spring, FOX aired Grease Live! which was a broadcast from the Warner Brothers Studios in Burbank, and used many outdoor sets on the lot and had a live audience incorporated into the gym and dance sequences as well as on the streets outside. It added an energy that some felt was lacking from NBC's broadcasts. I will admit that sometimes it seemed flat when a big production number ended and there was no applause, just silence and then cut to commercial.
So taking a cue from FOX, NBC aired Hairspray from the Universals Studios in Hollywood and also used the backlot for outdoor shots. Once again, they had a big search for an unknown actress to play Tracy and surrounded her with name talent. Harvey Fierstein recreated his Tony award-winning performance as Edna. Martin Short, Kristin Chenoweth, Derek Hough, Jennifer Hudson, Ariana Grande, Andrea Martin, Sean Hayes, Rosie O'Donnell and games by the original movie Tracy, Ricki Lake and Broadway Tracy, Marissa Jaret Winokur.
Hairspray is one of my favorite musicals of the last couple of decades. I love the score. Its got a great early 1960s sound. And the show is just plain fun. I love it! I think it was an excellent choice and since its not that old show they were able to have one of its original stars re-create this role.
There were some technical issues throughout with some shaky camera work, sound going out a couple of times, and some odd camera angles, or blocked shots. There was a moment in one of the dance numbers where a couple of dancers were blocking a shot of two leads in an embrace for instance. But I think that kind of adds to the excitement of doing it live. But then again I don't think I've noticed as many technical glitches as I did in this one. Lots of shadows on performers' faces too. The jail scene between Tracy and Link as one example. A couple times, Tracy was briefly out of her light in the Corny Collins Show stuff.
And I loved the retro commercials. Those were fun. The Reddi-Whip milk man had me scratching my head. Was that a thing back then? But then I realized they were dong retro style commercials. I loved the Toyota spot best. I have to say it was jarring to see Derek Hough finish a number and then walk directly to the camera and do an Oreos commercial.
Speaking of Derek Hough, I knew he could dance, but he can sing and act too!
I think Maddie Baillio did a great job as Tracy. I loved that they had a talent search to fund an unknown and she did a great job carrying the show. She had great energy, which Tracy needs. I really liked Dove Cameron as Amber too. Garret Clayton as Link was the weak link in the main cast. He looked and moved great. He had some killer moves on the dance floor but not the strongest actor up there.
I LOVED Harvey Fierstein and Martin Short as Edna and Wilbur Turnblad. Their second-act song, You're Timeless to Me, was a high point for me. A couple of sketchy camera shots but otherwise, perfection. Two old pros showing you how its done. THAT'S Broadway to me.
Jennifer Hudson as Motormouth Maybelle? Singing I Know Where I've Been. Amazing! Brought the house down. But I felt she was a little small in stature to be Big Blonde and Beautiful. Still loved her though.
Kristin Chenoweth was great as always. And they clearly re-wrote her numbers so she could hit those high notes at the end.
Speaking of re-writes, there seemed to be some re-writes form the stage version. There was no Big Dollhouse number and Tracy was the only one to get arrested and go to jail. In the Broadway version all the women wind up in jail. But one of things I noticed with Grease Live! too was that they were doing a hybrid of the Broadway and movie versions of the show as opposed to doing a straight-up televised stage production.
The production design was amazing. Seriously, I loved the Baltimore street set with the Easter eggs in the names of the shops, Waters Plumbing, Divine Pet Food with a pink flamingo on the sign. Nice! And I totally geeked out when I realized that the two women escorting Tracy and Edna in and out of Mr. Pinky's were Marisa Jaret Winokur and Ricki Lake. But seriously, I loved the set design. So much goes into these live productions. And this one looked fantastic.
Picky stuff...in opening number, Good Morning Baltimore, it was clearly not morning but nighttime as the scene was done outdoors after sunset in LA. And since when are there mountains in Baltimore? You could clearly see the Hollywood Hills in the background. I know I'm being nitpicky but these are the kinds of things I notice. Like Billy Eichner as the news reporter with a couple of days scruff. That is a very NOW look. A TV host/emcee/reporter in 1962 would never go on the air looking like that.
Again, I'm being nitpicky. Most people wouldn't notice or care. And does it ruin the experience for me? No. It just takes men out of it when I see something that isn't period in a period piece.
I loved it overall! And I think this one is the best of the NBC shows so far. Nest year, Bye Bye Birdie with Jennifer Lopez.
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Monday, February 1, 2016
Grease Live!
Last night was Grease Live! on FOX. This was their first attempt at a live musical after NBC has given us 3 over the last couple of years. The main difference between Grease and NBC's telecasts was that there was a live audience. However, like NBC's live musicals, Grease was shot like a movie as opposed to a stage production and in this case used the Warner Brothers soundstage and backlot to keep the show moving. As a result, the "live audience" was not sitting in a fixed audience or bleachers. They were scattered throughout the locations and integrated into the scenes.
For instance, the opening took place outside, (right after the rain I might add) , and had people standing behind ropes cheering on the opening number. The same held true for the cheerleading tryout scene which was outside in front of the school building. In the gym, the audience members were in the bleachers as in Hand Jive too. The extras in the front rows of the bleachers were dressed in period (sort of) but everyone behind them was just regular modern audience. The audience cheered at everything. It did add to the "Live" excitement of this event.
And it was an "Event" in every sense of the word. In fact it was a spectacular. Did you know that in the 1950s that is what the big TV specials were called, Spectaculars? Look it up. This production was an amazing feat. They used multiple sets, soundstages, and outdoor locations in and around the Warner Brothers Burbank lot. It was an incredible production and they pulled it off. Kudos to the amazing camera work. It was seamless. Because, ladies and gentleman, the truth of the matter is this was NOT just a filmed stage production. As I've said with The Wiz Live, this was hybrid of movie and stage.
In the case of Grease Live, this was even more true. Why is that? Because they matched the movie almost scene for scene and shot for shot. This was NOT the stage version of Grease. Why? Because the movie is so beloved and iconic. And its what people expect. But the movie strayed far from the original Broadway play. Grease the Broadway musical started out in Chicago, moved to Off-Broadway and then to Broadway becoming the longest running Broadway show of all time running a then record 8 years (1972 to 1980). It was smaller, raunchier and grittier. It was not the sunny nostalgic look back at the 1950s that the movie was. Not that there's anything wrong with that. But subsequent revivals of the show now interpolate scenes and songs from the movie. I would love to see someone do the original version of Grease just to experience it the way it was originally intended.
Back to last night's show. An amazing feat to pull off. I was on a thread on fb with some friends where we were being snarky and dishing so many things. So I will use this to be positive. Vanessa Hudgens as Rizzo. OMG. When she sang "There Are Worse Things I Could Do", she nailed it. NAILED IT! Especially considering her father passed away the night before. Proof that the show must go on. Kudos to her. Loved Keke Palmer as Marty singing Freddy My Love. I loved the transition from her bedroom to the USO stage. I rewound and played it back to catch the costume and set change again. The same with the Greased Lightning transition. So well done.
Loved that they Didi Conn was the waitress with the "new" Frenchy. Although I was not a fan of the song they gave Carly Rae Jepson to sing right before Teen Angel. It didn't fit in with the style of the rest of the show. I also loved what they did with Those Magic Changes. That montage was very well put together. And this is a prime example of the movie vs. stage. You can't do that onstage. Its an editing thing that can only be done in movies. But they found a way to do this. Awesome.
Hand Jive. Wow. So much going on. And think about this. Think about the logistics of filming this in a way so that the audience isn't aware of how its being done. But imagine all the cameras on that stage. All the crew holding those cameras. Running in and out of the dancers, or being lifted above the soundstage simultaneously. And all out of sight.
I read some complaining about the ages of the actors being too old. So? What else is new? So were the actors in the movie. They were mostly in their late 20s. Olivia Newton John and Stockard Channing were over 30. Get over it!
Loved Blanche played by Haneefah Wood. Why isn's she listed on the imdv page for this? At least not last night during the airing. She was a scene stealer. And considering most of her scenes were opposite one of my faves, Ana Gasteyer, thats saying something.
This was a big, fun, splashy event night of television. And I hope there is more to come. Well there is in fact. FOX is doing Rocky Horror at some point and then NBC is doing Hairspray in December. Let's hope NBC livens up Hairspray with some audience.
For instance, the opening took place outside, (right after the rain I might add) , and had people standing behind ropes cheering on the opening number. The same held true for the cheerleading tryout scene which was outside in front of the school building. In the gym, the audience members were in the bleachers as in Hand Jive too. The extras in the front rows of the bleachers were dressed in period (sort of) but everyone behind them was just regular modern audience. The audience cheered at everything. It did add to the "Live" excitement of this event.
And it was an "Event" in every sense of the word. In fact it was a spectacular. Did you know that in the 1950s that is what the big TV specials were called, Spectaculars? Look it up. This production was an amazing feat. They used multiple sets, soundstages, and outdoor locations in and around the Warner Brothers Burbank lot. It was an incredible production and they pulled it off. Kudos to the amazing camera work. It was seamless. Because, ladies and gentleman, the truth of the matter is this was NOT just a filmed stage production. As I've said with The Wiz Live, this was hybrid of movie and stage.
In the case of Grease Live, this was even more true. Why is that? Because they matched the movie almost scene for scene and shot for shot. This was NOT the stage version of Grease. Why? Because the movie is so beloved and iconic. And its what people expect. But the movie strayed far from the original Broadway play. Grease the Broadway musical started out in Chicago, moved to Off-Broadway and then to Broadway becoming the longest running Broadway show of all time running a then record 8 years (1972 to 1980). It was smaller, raunchier and grittier. It was not the sunny nostalgic look back at the 1950s that the movie was. Not that there's anything wrong with that. But subsequent revivals of the show now interpolate scenes and songs from the movie. I would love to see someone do the original version of Grease just to experience it the way it was originally intended.
Back to last night's show. An amazing feat to pull off. I was on a thread on fb with some friends where we were being snarky and dishing so many things. So I will use this to be positive. Vanessa Hudgens as Rizzo. OMG. When she sang "There Are Worse Things I Could Do", she nailed it. NAILED IT! Especially considering her father passed away the night before. Proof that the show must go on. Kudos to her. Loved Keke Palmer as Marty singing Freddy My Love. I loved the transition from her bedroom to the USO stage. I rewound and played it back to catch the costume and set change again. The same with the Greased Lightning transition. So well done.
Loved that they Didi Conn was the waitress with the "new" Frenchy. Although I was not a fan of the song they gave Carly Rae Jepson to sing right before Teen Angel. It didn't fit in with the style of the rest of the show. I also loved what they did with Those Magic Changes. That montage was very well put together. And this is a prime example of the movie vs. stage. You can't do that onstage. Its an editing thing that can only be done in movies. But they found a way to do this. Awesome.
Hand Jive. Wow. So much going on. And think about this. Think about the logistics of filming this in a way so that the audience isn't aware of how its being done. But imagine all the cameras on that stage. All the crew holding those cameras. Running in and out of the dancers, or being lifted above the soundstage simultaneously. And all out of sight.
I read some complaining about the ages of the actors being too old. So? What else is new? So were the actors in the movie. They were mostly in their late 20s. Olivia Newton John and Stockard Channing were over 30. Get over it!
Loved Blanche played by Haneefah Wood. Why isn's she listed on the imdv page for this? At least not last night during the airing. She was a scene stealer. And considering most of her scenes were opposite one of my faves, Ana Gasteyer, thats saying something.
This was a big, fun, splashy event night of television. And I hope there is more to come. Well there is in fact. FOX is doing Rocky Horror at some point and then NBC is doing Hairspray in December. Let's hope NBC livens up Hairspray with some audience.
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