Let's Put On A Show! The Full Monty

Today, I was surfing the internet and came across some publicity photos from a show I did eight years ago. (Really? Eight years? It can't be) And don't ask me how I "happened" to find pictures of myself online! Alright! You caught me! I was googling myself. But, it was for research. Honestly. I wanted to see if my website came up in the searches. And guess what? It didn't! So there?

So, anyway! I found these pictures from a production of the musical, The Full Monty, that I did eight years ago. (Still can't believe it's been eight years!)

That's me as Harold dipping my wife, Vicki played by Ellen Caranasos-Sharp

This has to be one of my all-time favorite times I ever had on stage. We were with this show for close to six months. We auditioned just before Labor Day 2007. The show opened a week after Thanksgiving and played four weeks. Closed for the holidays and re-opened in mid-January and closed in mid-February.

The best cast ever and to be perfectly frank a perfect role for me. I loved it and I never wanted it to end. And there's also a great back story. An underdog story for the ages!

I was a member of a theater company and The Full Monty was on their schedule. We had auditions, callbacks and were cast. And then a week went by. No communication from the production team. A little over a week after being cast, we received an email saying there will be a cast meeting at the theater on Saturday morning. So, I got my script ready, highlighted all my lines and stage directions in yellow. Got my Ticonderoga yellow number 2 pencil and an eraser, packed my backpack and headed to the theater. But in the back of my mind, I wondered, "Why did it say cast meeting and not read through or rehearsal?"

So, we arrive at the theater only to be informed by the production team that unfortunately the theater company did not have the finances to pay for the production. They were behind in the rent and had to pay the bills of the last two shows. So because the production team had worked so hard to assemble this great cast, (and it was  great cast), they had been meeting all and had finally come up with a way to do the shows with the cast. They negotiated with the owner of the theater, found a producer to pay for the show.

That's Not he Goods (that's me furthest right crouching behind the couch)

We were assured that this would not affect our membership in the theater company. We would still be members in good standing with our theater company and this would also give the theater an opportunity to focus on paying the bills and not go further into debt. Were we all on board?

Hell yes we were! And on we went. We lost one actress a couple weeks into rehearsals. She just was not a good match. I knew immediately at the read through. We all sat in a big circle. She sat in a corner outside the circle. Now, granted, she had a bad cold. So I gave her the benefit of the doubt. But then she started acting surly. She was having none of our goofing around and having fun. I chalked it up to her sickness. But in the weeks to come, she missed rehearsals or showed up late. And after a couple weeks, one of the producers called her and gave her an out. She clearly didn't want to be there. So she left and one of my dearest friends (who was also part of the production team) came in. Yes!

Normally, shows in Los Angeles run six weekends. Our original plan, was to open the last weekend in October and close in six weeks mid-December. But because of the late start, we opened a week after Thanksgiving and closed the weekend before Christmas. And then a last minute extension for four weeks after the holidays.

On the left, Me with Ellen as Harold and Vicki. On the right, Aileen-Marie Scott and Ed McBride as Georgie and Dave. 

I played Harold Nichols, the laid-off, uptight middle manager of the steel mill in Buffalo, NY. He thinks he's better than all the others because he's management and lives a better lifestyle than them. And they blackmail him into helping them. I loved the show, loved the part, loved the cast. I am still good friends with most everyone from that show.

The show was performed in a 99-seat theatre space in Los Angeles. The sets reflected a scrappy industrial look. It really was an underdog production. And the reviews were amazing!

I've been lucky an had many, many wonderful experiences in the theater. But this one holds a very special place and always will. I feel like we could do it again tomorrow if we wanted.

I miss this one. Anyone out there want to produce it again for me? I'll be your friend forever!

The men of The Full Monty about to take it all off. (L-R Tim Hearl, Ben Euphrat, Ed McBride, Me, Keith Wright)